manila camera style - a conversation about cameras

Aug 09 2010

Another Leica M6 sent in!

As in sent in all the way from, Natchitoches, Louisiana USA!

MCS’s new friend Sonny says:

My new to me 1986 Wetzlar Leica M6. When I got it, it had a recent cla, by Sherry Krauter who added a M2 wind lever, made the viewfinder show only the 28, 35, 50, 90mm framelines. The body has Griptac skin.

The lens is a Summicron C 40mm milled to show 35mm frame lines (DAG). I added the aftermarket hood from a Hong Kong dealer and painted it with wrinkle finish. The thread is slightly different, but I just screw it in enough to be secure.

I had an M6 for many years, but sold it to go digital a few years ago. I shoot mainly with an M8, and an Olympus EP-1, but sometimes I want to see all of what my lenses show, so I decided to buy this nice M6.

I enjoy Manilacamerastyle, keep it up!

Thanks, Sonny. MCS enjoys receiving contributions from all over the world! Sonny adds:

Here are four samples from the M6 camera. I’ve included a couple of shots from my old 21mm Super Angulon, because it was one of the reasons I bought the M6, since my M8 of course doesn’t show the whole frame.

We now have one mini lab left in our town, and they don’t take great care with the films, (some of my negatives have scratches) not to mention that their CD scans are very low resolution. So I suppose I’m going to have to start mailing film away for processing, or maybe process them myself.

I have my reels and tanks and a changing bag, so that may be the route I take. I think I may even have my old darkroom timer!

Samples with the Summicron C 40mm:

…and with the Super Angulon 21mm :

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Aug 06 2010

Zoiks! A Zorki-6!

Marty sends in his Zorki-6!

Says he:

I reskinned a Zorki-6 in pigskin out of sheer boredom. Methinks it kinda worked out!

And yet I still can’t take a decent image :). Oh well…

I say: Not bad, my friend! And great job on the reskinning! Thanks for sending this in!

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Aug 02 2010

See you all on Wednesday!

Evil Postcards and Other Beautiful Stories by Johann Espiritu

August 4, 2010, Wednesday 6-9pm

Johann Espiritu puts on his photographer hat again after two years with Evil Postcards and Other Beautiful Stories. A lawyer by profession, Espiritu takes a break to pay “homage to the experience of beauty”. Inspired by the line “Evil be thou my good” in Milton’s Paradise Lost, Espiritu captures everyday objects to delve into, and perhaps challenge the universal experience of beauty.

His work is like browsing through an off-tangent family album. There is still that sense of capturing a moment, the snapshot memory, and the souvenir postcard of an unforgettable trip. But the lens is on the experience rather than the person experiencing it. The colors are vivid yet basic in the natural light, and the images devoid of action. In the stillness, Espiritu brings to light the hush of the moment that just was. Beauty resides in the viewer more so than in the object he is looking at.

Evil Postcards and Other Beautiful Stories is Espiritu’s experience of beauty, taking in the calm, and collecting the many moments that make life more interesting. The show is his album of evil postcards and other beautiful stories.

Related Gallery Event:

The Snapshot as Fundamental Photography: A Lecture by Johann Espiritu

August 28, Saturday, 3pm

Silverlens Gallery

What makes photography so interesting is that it has, more than any other medium, the capacity to be candid. This lecture is about harnessing the power of candidness - from the rise of amateur photography to the use of the “snapshot aesthetic” in modern fine art photography.

For more information, call 8160044 or email manage@silverlensphoto.com

Words: Bea Davila, Image: Johann Espiritu, Kumbayah, 2009 

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Aug 01 2010

Kat’s Kodak Retina IIc

Today we feature our loyal reader Kat’s Kodak Retina IIc, originally released in 1954. This kick-ass camera has a 50/2.8 Schneider Retina-Xenon lens attached to it.

There’s really something cool about folding cameras.

Kat says:

I got this from a friend who had every bit of GAS as I am experiencing right now. :) The friend decided to let me adopt this baby so I could take care of it and take it out for a spin.

And now presenting photos from Kat’s “taking it out for a spin” in Taal Lake:

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Jul 29 2010

Fatherhood and Photography go together like developer and fixer.

Perhaps a little late for Father’s Day, we got this submission from MCS’ loyal Joseph - a great story about a dad, a camera, and getting the right exposure…

The rest of the story is in Joseph’s words.

First, let’s start with the camera:

My dad’s camera was acquired in Tokyo in 1963 while he was on a concert tour of Asia. He and my mom were expecting their first brat - me! The camera originally came with a tripod, self timer and light meter. Apparently the ‘little brat’ destroyed the light meter which eventually got lost.. He taught me the basics of photography on this camera with the aid of a ‘Sunny 16’ guide found in film boxes.

Yashica Penta J

Young family… must have been the holidays in ‘63, taken by my dad and his camera/Ektachrome

Young family

mom and me

I think my dad was just appointed dean of the University of Santo Tomas, Conservatory of Music in this picture when this picture was taken.

dad and me

Playing with the (n)ever ready case.

what did you do to the light meter?

Based on the pictures from our family archives, my dad’s Yashica Penta J was used mainly to document our growing family. A distinguished pianist colleague and avid photographer helped him acquire the camera in Tokyo. My dad is a violinist, music professor and conductor and I followed his footsteps. He is already 83 years old but still drives to UST every Monday and Wednesday to teach. The rest of his free time is typically spent driving my mom to go food shopping, visit Manila seedling bank because she loves gardening, attend concerts, play with his grand kids and after all of that, still manages to squeeze in a few violin students at home. There is never an idle moment in his life.

hold that bow properly....

If his pictures give the impression that he was a serious photo hobbyist, that’s only because he applied the same discipline he developed as a musician to the camera as well as to other facets of life. He was and always will be a perfectionist! But beneath that facade was really a simple and dedicated family man with no vices. As we were growing up his main outlet to relax was playing with us and if necessary, cleaning and doing minor tune-up to his car. During the summer or on extended holidays, he loved driving the family in our ‘59 Austin Cambridge to visit old churches and view historic homes in provinces surrounding Manila. Life was simpler and gas was cheap. On hindsight very spontaneous, let’s see where the wheel takes us…as he would say. Due to his modest income, he only shot one roll of Ektachrome in his life. Much of the pictures taken by his Yashica were shot in B&W film until color film processing became more affordable. By the mid 70s, he became the conductor of the Philippine Youth Orchestra and I was competent enough to join as a violinist. On one of our tours I suggested we take his camera but could not find the light meter. He claimed that I played with it and ruined it when I was much younger. Since film boxes from that era always included a “Sunny 16” chart, the light meter wasn’t absolutely necessary. He taught me the basic rules of exposure by using the chart, how the lens aperture affects depth of field, focusing and framing. The other day I asked him if I really ruined the light meter because I never recall seeing it as a child, he denied ever saying that….ha ha ha.

'59 Austin Cambridge

dad and me

mom and me

Siblings

An awesome story and some even better photographs. If this post didn’t warm your heart the way it did mine, then yours is color blue and the size of a walnut!

Thank you Joseph for sharing this. Please give your dad a standing ovation from MCS for all his accomplishments! Hats off to you, sir!

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Jul 27 2010

The In-Camera Photo Rating System

Just like a Magic Mic, this concept lets you know what your “aesthetic score” is, right after the shot. Check it out:

According to the website of Andrew Kupresanin:

Unlike a conventional camera Nadia has no display of the photographs to be taken, but rather gives the judgment of aesthetic quality to the machine, displaying only a current rating as feedback about when and what to snap.

Within pop culture and society artificial intelligence has been a topic that is approached with hope, fear, cynicism, curiousity and caution. However many intelligent devices have already been effortlessly absorbed into our culture and everyday lives.

Currently under development, we will soon see devices and systems that have the ability to think creatively and infer beauty. As this novel technology improves and works its way into consumer devices, what effect will it have on individual preference and our creative process? Will new objects and possibilities arise?

Camera utilises the first publicly available aesthetics inference engine, ACQUINE

Realised in the Digitale Klasse under Joachim Sauter and Jussi Ängeslevä at the University of the Arts Berlin, Germany.

Here’s a video:

Nadia from Andrew Kupresanin on Vimeo.

Now only if it would automatically delete the photo if it fell below a certain score… :-)

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Jul 25 2010

Analog-Digital / Digital-Analog - My Version

After Joseph sent in his digital-analog camera, I’ve been curious to try one out.

The opportunity came when a delayed flight left me shopping around the HK airport, where I noticed a nice-looking Panasonic GF-1 in a ever-ready-type case. I played with it in the store, and liked what I saw. I did get on my flight without buying it.

back in Manila, I emailed HK Voigtlander guy Joseph Yao, who said a lot of great things about the GF-1. He called it the “digital successor to the Leica CL”. Whoa! Big shoes to fill! He said this was because the GF-1 can be purchased with two choices of primes - a Panny 20/1.7 and a Leica 45/2.8. He said that was surprisingly similar to the CL’s choice of Summicron 40mm and 90mm (because of the 2x crop factor). Intriguing!

He also added that the size was pretty close too, and with an optional finder (optical or digital) it could feel “analog” in your hands.

Here’s an early “leaked” spy photo of the GF1 with the “Leica CL” lenses:

I swear, if Panasonic marketed it as the Digital CL (or something like that), they would have sold more of this little thing. Needless to say, I was sold even without it. It wasn’t long before I had this:

As you can see, I got the leather half-case, a Domke gripper strap (I love these and have them on my Leica RFs), the optional EVF, and some black tape for the “stealth” look. (BTW - speaking about stealth, I’ve actually had other GF1 owners ask me what camera it is. I guess it works!)

Aside from the above 20/1.7, I also scored this:

Armed with the Voigtlander micro 4/3 to Leica-M adapter, I quickly tried this:

Slapping on the VM Nokton 35/1.2 gives me a 70mm/1.2 equivalent. Add the very usable 1600 ISO of the GF-1 (yes, it is usable especially for black and white prints), and you’ve got a nice low-light portrait lens.

Here’s another view:

BTW, in case you want to see a smaller lens, here it is with the Zeiss Biogon 28:

I’m happy to say that hte GF-1 works well with manual focus lenses. You just have to fiddle with its settings to make it work the way you want it (and set it to “shoot without a lens”). Manual focusing allows you to zoom a portion of the frame while focusing to get precise focus. It’s not quite RF-smooth, but I didn’t expect it to be. It’s still works better than manual focus on a matte focus screen SLR, IMHO.

Oh, just in case you’re interested here are some photos…

With the Nokton 1.2:

Lucas - July 2010

Here’s a couple with the Panny 20/1.7 (which I think is an excellent lens, BTW):

BIke Stands

Smile, Elian!

Hey R - didn’t you get a GF-1 too? And don’t hold back on that Epson RDS! :-) Let’s see ‘em!

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Jul 23 2010

Like a Leica? Love the Likea!

Want a Likea for US$19.95? Now you can get one!

This Likea MPH is a pinhole camera made from cardboard. Twenty bucks gets you the kit, which you have to assemble yourself. Oh, and you’ll have to make the pinhole part yourself out of a soda can.

I guess this is the ultimate test of “It’s not the camera, it’s the photographer”….

Check out the store here. I love the way it’s made to look like the Leica website. Hahaha!

Oh, they deliver WORLDWIDE. Break out those credit cards!

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Jul 21 2010

New Scanner Day!

A couple of months ago, my CanoScan 8800F conked out. I took it to Canon, and for some strange reason, it worked perfectly well doing everything, EXCEPT scan black-and-white film. In one word for me: dealbreaker!

So Canon gave me two choices: replace the 8800F, or wait for the new 9000F to come out, and get that instead.

Glad to say that I waited. Waited long, but waited. Then look what came in today:

The CanoScan 9000F is a much more refined version of the 8800F. Not only does it scan faster, more silently, and have a better software interface - but it just looks and feels like a better product.

In the end, it’s all about the scans - right? My biggest criteria on judging scanners has got to be how well it captures film grain.

I never cared for ultra-smooth images. Grain is what gives photos soul - none of this noise-free stuff for me, baby!

So with grain correction off, I made my first scan:

Bottleheads: HK Rugby Sevens

Not bad! The full-res file shows Kodak Tri-X grain in it’s full beautifully rough glory.

So I made a few more scans:

Chicken: HK Rugby Sevens

Mel: HK Rugby Sevens

The 9000F handled grain and tonal range really well - and I was really pleased with the smooth range it captured.

Wild Herd: HK Rugby Sevens

I didn’t realize that I missed scanning negatives. There’s something therapeutic about moving an image from a negative to your screen, and the process in between (handling negatives with white gloves, slowly putting it in the film mounts, calibrating the scanner) - right? Someone say “yes”!

I’ll be making a few more scans over the next couple of days to test the new scanner out some more. As of day one, however, I can say I am quite happy!

I’ll post a few more scans soon. All of the above are from the Hong Kong Rugby Sevens, which was held in March of this year.

BTW, all of these photos from a Leica M7 + Summicron 35 ASPH, which you can view here.

Comments
Jul 20 2010

Rap’s Cameras - Part III

We come to the conclusion to Rap’s camera entries.

An Olympus OM-1! We’ve featured the Oly OM-1 here and here in the past.

Rap says:

The OM-1 is a tiny gem of a camera and the Zuiko lenses are an amazing lot! The meter from this camera has been repaired but I usually rely on the Gossen Luna for incident readings. This camera is really compact and feels more like a rangefinder on the hand, the shutter speed dial needs some getting used to. I’m looking for Zuiko portrait lenses so if you hear of some let me know :).
Can any of our readers help Rap find Zuiko portait lenses? Shout out!

And finally, Rap’s photos:

Thanks Rap!

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